Canon C300 MK II Rentals 818-994-3461

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The Canon EOS C300 Cinema EOS Camcorder Body (EF Lens Mount) takes what professionals love about DSLR filmmaking – access to a vast selection of widely available lenses, a large sensor that facilitates a shallow depth of field, and portable operation with a modular, compact camera – and addresses its shortcomings. That means that unlike DSLR cameras, this Cinema EOS camcorder is designed inside and out for professional cinematographers capturing motion pictures that will stand up to rigorous post-production processes.

The EOS C300 features an EF mount for compatibility not only with Canon's existing broad range of DSLR lenses, but also with the burgeoning line of EF Cinema Zoom and Prime lenses. These lenses are designed to match up perfectly with the 3-perf Super 35mm-size CMOS sensor that Canon developed for this camera. Like the camcorder, these lenses (sold separately) were developed specifically for digital cinema, with engraved markings on angled surfaces in meters and feet and uniform front diameters for easy lens switching without having to reconfigure a matte box or follow focus gearing.

The Canon Super 35mm sensor is paired with the Canon DIGIC III image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. Recording HD formats to CompactFlash cards as the XF codec – at the highest level a 50 Mb/s, 4:2:2 MPEG-2 format – the C300 records motion video that reduces the jagged edges and Moiré patterns that can plague video with 4:2:0 chroma subsampling and lead to post-production challenges.

Moreover, the files' MXF wrapper brings together video, audio, metadata, and timecode in a package that enjoys robust support from all professional NLE programs. The EOS C300 is designed to capture footage that thrives in the post-production suite. To that same end, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and a greatly expanded dynamic range.

The exterior of the camera is as unique as its innards. Featuring the expected HD-SDI output, timecode I/O, and genlock input BNCs, the body is a modular creature that can either be stripped down completely, or be built up to host the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest. With accessible buttons and ridges dividing them, the C300 is physically designed not for still photography but for the craft of digital cinema.

Canon Super 35mm CMOS Sensor
Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 x 2160 photosites to perform the crucial optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4 micrometers in area, and each has a microlens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode – a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full-bandwidth individual RGB video components without the need for any de-Bayering algorithms. Each of these components has a 1920 x 1080 sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 x 720 at 60p HD format are selectively derived
Wide Dynamic Range
The EOS C300 incorporates the first Canon CMOS sensor designed specifically for high-frame-rate motion pictures, offering not only high resolution and shallow depth of field but also high sensitivity with low noise. Working together, Canon's Super 35mm sensor and DIGIC DV III Image Processor achieve a remarkably high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light
Canon Log Gamma
Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. Canon Log is a special nonlinear transfer function embodied within the DIGIC DV III RGB video processing system. This transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image, maintaining a total dynamic range of 800%. These sophisticated video grading processes restructure a new digital representation achieving a sought-after creative look on a quality reference display
Lens Peripheral Illumination Correction
When shooting with Canon EF optics that support Peripheral Illumination Correction, the EOS C300 can automatically compensate for the light fall-off or vignetting characteristics of each particular lens. Correction data specific to each lens model is loaded onto the camera's firmware, with future lens data added through firmware updates
Low Light/High ISO Ability
A dark and stormy night? With the EOS C300, it's no problem. The combination of sensor and image processor render an extraordinary signal-to-noise ratio and as such make shooting at high ISO (up to ISO 16000) a breeze
Reduced Rolling Shutter & Moiré Artifacting
The EOS C300 uses enhanced signal processing to minimize rolling shutter skews and to reduce moiré artifacts. A high-speed readout significantly reduces the subjective visibility of the vertical skewing on fast-moving horizontal subjects, a typical pitfall of the CMOS image sensor that's neutralized by Canon technology
Canon DIGIC DV III Image Processor
Designed and built by Canon for the highest HD RGB processing, the DIGIC DV III Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs
XF Codec Image Quality
To create digital files robust enough for major post-production, the EOS C300 delivers the highest image quality with its XF Codec - the same codec used by other Canon XF professional camcorders. With 4:2:2 color sampling, image files have double the vertical resolution of color components created with 4:2:0 color sampling, minimizing jagged edges between red and blue and ensuring ample quality for chroma key compositing with green screens. Thanks to the Canon XF Codec and the EOS C300's superior resolution, original color quality and cinematic look will hold up through post-production – with results that meet or exceed the filmmaker's expectations
Canon EOS C300 with EF-Lens Mount
To integrate easily into the working style and equipment array of film crews and production houses, the EOS C300 with a Canon EF-lens mount is completely compatible with all of Canon's EF lenses, including compact primes, super telephotos, specialty Tilt-Shift, Macro, and Fisheye lenses – over 60 in all
EF and L-Series Lenses
A unique combination of the world's most advanced optical, microelectronic, and precision manufacturing technologies, Canon's EF lenses, compatible with the EOS C300, are perfected in Canon's laboratories and proven in the field. Whatever the application, whatever the budget, there are Canon EF lenses perfect for nearly every scenario. Their compatibility not only affords the Cinema EOS access to some of the finest optics on the market, it opens up myriad possibilities with Canon's superlative specialty lenses, including a range of Tilt-Shift lenses, Close-up lenses and even Canon's amazing EF 8-15mm f/4L Fisheye Zoom (all lenses sold separately)
Canon EF Cinema Lenses
Canon EF Cinema lenses (sold separately) are designed and engineered to meet or exceed the exacting standards of working professionals. Every Canon EF Cinema lens is designed to fulfill contemporary 4K production standards, surpassing the performance requirements of any HD imaging system. Zoom lenses feature large aspherical lens elements to achieve sharp, consistent images in every shooting situation. Geared inner focusing minimizes focus-induced changes in the angle of view, rendering focus breathing virtually zero. The 11-blade aperture diaphragms ensure smooth out-of-focus areas and beautiful bokeh – and innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. EF Cinema lenses provide markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or either side of the camera. Focus markings can be switched from standard labeling to metric. Control rings are designed to maintain the proper amount of resistance with consistent operating torque. EF Cinema lenses share uniform gear position, diameter and rotation angle as well as front lens diameters, enabling the film crew to quickly change to another Canon zoom or prime lens or compatible third-party accessories like matte boxes and rods without adjustments
Broad Compatibility with EOS Cameras
The versatility of the Canon Cinema EOS approach also makes it compatible with more cinema optics than any other camera system. EF-mount EF Cinema Prime lenses (sold separately) are compatible with Canon EOS DSLRs – including full-frame models like the EOS-1D X and the EOS 5D Mark II as well as cameras like the EOS 7D and EOS 60D and their APS-C-sized sensors
Canon EF Cinema Zoom Lenses
Canon's Cinema EF Zoom lenses (sold separately) offer unrivaled optical performance for demanding high-end productions, available in both EF- and PL-mount configurations. With fluorite, aspherical lens elements and advanced optical design, these unequalled Cinema EF Zoom lenses are capable of 4K-level image reproduction. The wide-angle CN-E14.5-60mm T2.6 L S/SP provides tremendous breadth of range; the telephoto CN-E30-300mm T2.95-3.7 L S/SP rivals best-in-class zoom magnification and telephoto focal length. Together these lenses cover the range most commonly used in cinema shooting
Canon EF Cinema Prime Lenses
The brilliant series of Cinema EF Prime lenses (sold separately) offers spectacular 4K-level image quality in lightweight, compact designs. Three models for EF mount cameras – CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 L F – offer consistent form factors and marking optimized for motion picture production. Whether you shoot with a Canon EOS C300 or EOS DSLR, the compact and consistent lens design makes for excellent handling. Audiences will also love the results from the 11-blade aperture diaphragms, fast T-stops, and proven Canon lens elements
Designed with Filmmakers in Mind
With everything a cinematographer needs, the EOS C300 comes ready to produce. A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera
Compact & Modular Design
The EOS C300 body is surprisingly small (5.24 x 7.0 x 6.7") and easily handheld at just over 3 lb. There is a bright 1.55 Mp electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Mp monitor and control panel. The camera also has a removable hand grip with a control dial and function buttons for handheld shooting in DSLR style. Or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras
Rugged, Durable & Quiet
The EOS C300's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean
Comfortable Ergonomic Controls
The moment you pick up the EOS C300, you'll feel right at home. The detachable grip rotates 360° in 15-degree increments so the start/stop, iris control and multi-controller buttons are always literally at your fingertips. Four separate start/stop buttons and 15 other customizable buttons distributed over the camera body mean quiet and intuitive access. Large dials positioned in two places can be customized for different functions and are easy to operate from all angles. The viewfinder tilts up to a convenient 60° angle. The 4" control panel and 1.23 megapixel monitor rotates 135° left/right or 270° down – and can be mounted directly on the camera body or the handle unit. Top, behind, from either side, on either shoulder: the EOS C300 operates from any angle
Pre Rec for Shooting in a Single Take
For situations where there is no second take and action shoots where things can happen with little warning, the EOS C300's Pre Rec feature continually records approximately three seconds of full-motion imaging to buffer memory. When you press the record button, these seconds are automatically added to the shot – and you'll have a welcome margin of insurance to capture the unexpected
Ultra-High-Resolution EVF
The EOS C300 features a 0.52", 1.55 Mp color EVF and approximately 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort
Rich Audio Controls
When mounted to the EOS C300 camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring
Accommodating File-Based Production
The Cinema EOS system creates files in the internationally standardized Material eXchange Format (MXF), wrapping video and audio with metadata in a single file that maintains access to critical information throughout the production process. The EOS C300 records to inexpensive and easy-to-find CF cards in dual card slots, giving you unlimited hot-swappable storage on reliable solid-state media. And for industry-standard peripherals, the EOS C300 has all the right terminals: remote (2.5mm), sync out (BNC), HDMI type A out, genlock (BNC), timecode (BNC), HD/SDI (BNC), headphone, SD card, DC input socket, plus mic and XLR connectors (CH1 & CH2) when using the included Canon monitor/controller unit. The camera also includes a dedicated connection port for the optional Canon Wireless File Transfer WFT-E6A unit (sold separately)
Perfect for Mixed-Shoot Editing
The tremendous dynamic range of the EOS C300 with Canon Log gamma can be easily converted to industry-standard 10-bit Cineon (.cin) Log format, which assures smooth integration with industry-standard post workflow and finishing. The EOS C300's 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. And you'll have plug-ins for leading NLE systems from Adobe, Apple, Avid, and Grass Valley. Whether your entire production is digital or your EOS C300 is used as an A, B, or C camera on a primarily film-based shoot, the integrity of your image and sound is assured through the editing process – and beyond
CF Memory Card Recording
For versatility and reliability, the EOS C300's recording and terminal specifications are completely compatible with the prevailing industry standards. It records to CF cards through dual slots. From a cost and reliability standpoint, CF cards have no equal. Solid state, hot-swappable, and easy to find, two 32 GB CF cards can hold 2 hours of 4:2:2 50 Mb/s footage. It's even possible to record to two CF cards simultaneously, relay-record for uninterrupted shots, and copy from one card to another
Custom Pictures
To achieve the look and feel you want in less time during post-production, the EOS C300 has 26 different Custom Picture settings. Custom Pictures can include different image-quality adjustments, including gamma, knee, color matrix, sharpness, noise reduction, and more. Settings can be created in-camera and saved to the EOS C300 or to an SD card for transfer to other cameras. A number of natural color settings are included with the EOS C300; others include Cinema setting for post-production and EOS setting to match images captured by a Canon EOS DSLR
Black Balance Adjustment
In ambient conditions that cause the black in the video signal to shift out of alignment, the EOS C300's black balance can be easily adjusted to bring it back. A simple process with the lens cap on the camera, black balance adjustment is especially useful the first time you use the EOS C300, when your camera has been on the shelf for an extended period, when you'll be shooting in a wide range of temperatures, or when the ISO sensitivity or gain settings have been changed
Multiple Recording Formats & Advanced Recording
With the realities of production in mind, the EOS C300 can record in a number of different modes, resolutions and frame rates, delivering quality recordings perfect for any application. 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. And the camera can shoot in both PAL and NTSC modes at 50 Mb/s (CBR), 35 Mb/s (VBR), and 25 Mb/s (CBR) with a range of settings for resolution, color, frame rate, and recording time. Whether shooting with the expectation of significant editing and post-production, recording for compatibility with HDV editing, or simply creating the longest possible HD video files, the EOS C300 camera will perform flawlessly
High-Speed, Slow-Motion, Time-Lapse & Stop-Motion
Beyond the advantages of file-based recording, the EOS C300 offers a number of creative possibilities in post-production. By capturing fewer frames per second, the camera can transform normal action into intense high-speed motion up to 60x. By capturing more frames per second, the camera can slow down motion to 1/2.5x at 720p. The EOS C300 can also be programmed to record a set number of frames at defined intervals for amazing time-lapse photography – and a frame-recording feature is perfect for stop-frame animation
Connectivity
To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with Linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite
Full Manual Control & Focusing Aids
Providing cinematographers with everything they need in the palms of their hands, the EOS C300 comes ready to produce. The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well. It's all in the camera
WFT Wireless Remote Control over Wi-Fi
Offering a new level of mobility, the Canon Wireless File Transmitter WFT-E6A (sold separately) opens up a world of wireless options to the EOS filmmaker. The EOS C300 camera comes preconfigured so that camera settings can be viewed and controlled on third-party devices with web browsers, including computers, smartphones and tablets without the need for additional in-camera software. With the WFT-E6A module, the camera can be controlled from up to 150' away over an 802.11a/b/g/n wireless network. The WFT-E6A enables superior camera control: users can start and stop recording; adjust focus, white balance, gain, and other parameters; and adjust the aperture of Canon EF lenses. This offers huge potential for specialty applications where cameras must be controlled remotely such as nature documentaries or reality TV. It also enables input marking for metadata and offers a live view of the composition. It supports incorporating GPS information into the file metadata, which is useful for general cinematic applications and essential for expedition filmmakers. A basic window mode even enables use with the Apple iPhone, iPod Touch, and iPad, as well as with handheld devices employing the Android operating system
New Canon Super 35mm CMOS Sensor

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 (H) x 2160 (V) photosites to perform the crucial optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4 micrometers in area and each has a microlens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms. Each of these components has a 1920 (H) x 1080 (V) sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived.

Wide Dynamic Range

The EOS C300 incorporates the first Canon CMOS sensor designed specifically for high frame rate motion pictures, offering not only high resolution and shallow depth-of-field but also high sensitivity with low noise. Working together, Canon's Super 35mm sensor and DIGIC DV III Image Processor achieve a remarkably high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.

Canon Log Gamma

Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. Canon Log is a special nonlinear transfer function embodied within the DIGIC DV III RGB video processing system. This transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image - maintaining a total dynamic range of 800%. These sophisticated video grading processes restructure a new digital representation achieving a sought-after creative look on a quality reference display.

Low Light/High ISO Ability

A dark and stormy night? With the EOS C300, it's no problem. The combination of sensor and image processor render an extraordinary signal-to-noise ratio and as such make shooting at high ISO (up to ISO 16000) a breeze.

Reduced Rolling Shutter and Moiré Artifacting

The EOS C300 uses enhanced signal processing to minimize rolling shutter skews and to reduce moiré artifacts. A high-speed readout significantly reduces the subjective visibility of the vertical skewing on fast-moving horizontal subjects, a typical pitfall of the CMOS image sensor neutralized by Canon technology.

Imaging Sensor

Effective Pixels
3840 x 2460 pixels; Approx. 8.29 megapixels

Total Pixels
4216 x 2340 pixels; Approx. 9.86 megapixels

Sensor Type
CMOS

Sensor Size
Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch

Scanning System
Progressive

Number of Sensors
1

Filter
RGB Primary Color Filter (Bayer Array)

Imaging Processor
Digic DV III

Lens System

Interchangeable Lens System
Choice of PL or EF mounts for compatibility with a wide variety of lens systems.

Zoom/Focus Preset
N/A

Shockless Zoom
N/A

Digital Teleconverter
N/A

ND Filter
Mechanical ND filter system with option of clear, 1/64. 1/16, and 1,4

Iris Dial
Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control

Peripheral Illumination Correction
Available on EF Mount model only

Exposure and Metering

Exposure Modes
Manual

Metering Modes
N/A

Gain
Normal Setting -6dB to 30 dB
Fine Setting 0dB to 24 dB in 0.5 dB increments

ISO
320 to 20,000

Auto Gain Control (AGC)
N/A

Shockless Gain
N/A

Exposure Compensation/AE Shift
N/A

Shutter Modes
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan

Shutter Speed Range
59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz -250.70 Hz

29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.70 Hz

23.98p/24p: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.70 Hz

50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.70 Hz

25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.70 Hz

Shutter Angle Settings
59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25

23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25

Iris (Aperture) Range
EF Lens only and lens dependent

Focus

Focus Settings
Manual

Autofocus System
N/A

AF Modes
None

Recording/Codec

Signal System
NTSC and PAL

Compression
8 Bit MPEG-2 Long GOP

Maximum Bit rate
50Mbps (CBR)

Recording Options
Recording Options

Mode

Resolution

Frame Rate

50 Mbps (CBR) 4:2:2 422P@HL

1920 x1080

59.94i/29.98p/23.98p

50i/25p

True 24 (24.00)

1280 x 720

59.94/29.98p/23.98p

50p/25p

True 24 (24.00)

35 Mbps (VBR) 4:2:0 MP@HL

1920 x1080

59.94i/29.98p/23.98p

50i/25p

1280 x 720

59.94/29.98p/23.98p

50p/25p

25 Mbps (CBR) 4:2:0 MP@H14

1440 x1080

59.94i/29.98p/23.98p

50i/25p

Recording Time

Memory capacity (CF Card)

Bit rate

50 Mbps

35 Mbps

25 Mbps

2GB

5 minutes

5 minutes

10 minutes

4GB

10 minutes

10 minutes

20 minutes

8GB

20 minutes

25 minutes

40 minutes

16GB

40 minutes

55 minutes

80 minutes

32GB

80 minutes

110 minutes

155 minutes

64GB

160 minutes

225 minutes

310 minutes


Recording Media
CF Card (Type 1 Only); 2 Slots (Movie Files); UDMA supported
SD Card (Still Images (JPEG), Custom Picture Data*, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported; MMC Cards are not supported
*Custom Picture Data and settings is not compatible with data from others Canon models

File Format
MXF (OP-1a)

File System
FAT 32

Maximum Clip Number
999 (per media)

Audio

Recording Format
Linear PCM; 2-Channel; 16-Bit; 48 kHz

Built-in Microphone
None

External Audio Inputs
2 - XLR inputs (Auto and Manual level settings)
External microphone terminal: (3.5 mm diameter)

Recording Channel Selection
This is used to set the allocation of the audio channels:

CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.

CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.

CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.

ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.

XLR Mic Trimming
Available; -12dB, -6 dB, 0dB or +12 dB

Limiter
Available

Recording Level Adjustment Range
- Infinity to +18dB

Phantom Power
Available; +48V

Headphone Adjustment
16 Settings; Volume is muted at lowest setting

Built-in Speaker
None

1KHz Tone
Available; -12, -18, or -20 dB

Features and Performance

Playback
Index Displays: Index Display, Normal, ?OK Mark? Index, "Check Mark" Index, ?Shot Mark? Index, Expand Index, Photo Index

Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Clip Jump (Forward and Backward), Skip Playback

Playback Functions: Inter-media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)

Still Image Playback: index, single playback, erasure, protect

Slow and Fast Motion Recording
Slow and Fast Motion Recording

Available; Records at a different frame rate then the playback rate allowing for fast and slow motion effects:

Mode

Resolution

Playback Rate

Record Rate

50 Mbps

1920 x 1080

29.97p/23.98p/24.00p

1-30

50i/25p

1-25

1280 x 720

59.94p/29.97p/23.98p/24.00p

1-60

50p/25p

1-50

35 Mbps

1920 x 1080

29.97p/23.98p/24.00p

1-30

50i/25p

1-25

1280 x 720

59.94p/29.97p/23.98p/24.00p

1-60

50p/25p

1-50

25 Mbps

1440 x 1080

29.97p/23.98p

1-30

     
All specifications are preliminary, and based on Canon Inc.'s standard test methods
All specifications subject to change without prior notice.

Special Recording Functions
Relay Recording*; Double-Slot Recording**; Copying between Media

* Not available during Slow Motion 50 Mbps recording

** Not available in combination with Slow and fast motion recording

Photo Recording Mode
Available; Images captured to SD Card

Waveform Monitor
Available; 2 Modes (Standard and RGB Component)

Vectorscope
Available

Exposure/Focus Aids
Peaking (2 types), Zebra Pattern*, Magnify, Edge Monitor Focus Assist, Black and White Mode

*Can be output via the SDI or HDMI Jack (HD Only)

Interval Record
Available; ability to set time interval and number of frames to record

Interval can be set in 25 levels ranging from 1 second to 10 minutes.

(1s/2s/3s/4s/5s/6s/7s/8s/9s/10s/15s/20s/30s/40s/50s/1m/2m/3m/4m/5m/6 m/7m/8m/9m/10m)

NTSC 59.94i/29.97p/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames

NTSC 59.94p: Selectable between 2, 6, 12 frames

PAL 50i/25p/50p: Selectable between 2, 6, 12 frames

Frame Record
Available; Records a set number of frames each time the record button is pressed

NTSC 59.94i/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames

NTSC 59.94p: Selectable between 2, 6, 12 frames

PAL 50i/25p/50p: Selectable between 2, 6, 12 frames

Pre-Record
Yes, 3 seconds cache (Audio and Video)

Scan Reverse
When using a Depth of Field Converter or other lens adapters it flips or reverses the image automatically so it is recorded correctly.

Time code
*Drop Frame (DF) and Non-Drop Frame (NDF)

*Dropframe works with NTSC models only and is not available in 24P

Time Code Modes
Regeneration, Record Run, Free Run and External Source

Drop Frame and Non Drop Frame available

Auto White Balance (AWB)
Not Available

White Balance
Kelvin Setting 2,000K to 15,000K in 100K increments

White Balance Presets
Daylight (5,400K); Tungsten (3,200K); Kelvin

White balance shift is available within Presets (-9 to +9)

Custom Picture Settings
23 Custom Picture settings

A total of nine 9 Customized Pictures are available in the camera and up to 20 can be saved to an SD card

Custom pictures can be adjusted using the following settings and saved for later recall:

Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Selective Noise Reduction, Color Matrix, White Balance, Color Correction, Setup Level

Custom Pictures CP8 and CP9 ship with the following presets:

C8: Cinema - Suited for giving recorded media a film tone.

C9: EOS Standard - Used to match the quality of DSLR video shot in EOS standard mode

Custom Functions
Available, 9 total functions

Custom Display
Yes; LCD panel and EVF information display can be customized

Total of 27 display and icons that can be turned on and off

Assign Buttons
15; Can be assigned functions as desired (30 functions Available)

Color Bars
Color bars compliant with SMPTE, EBU, or ARIB standards can be selected.

Minimum Subject Illumination
59.94 Hz Mode: 0.3 Lux

(f/1.2, 24 dB, 29.97p, 1/30 sec.)

50.00 Hz Mode: 0.25 Lux

(f/1.2, 24 dB, 25p, 1/25 sec.)

Sensitivity
F9 (ISO 640 (0db) 2000 lux, 89.9% Reflection, in 1080/59.94i mode)

F10 (ISO 640 (0db) 2000 lux, 89.9% Reflection, in 1080/50.00i mode)

S/N Ratio
ISO 850, Using Canon Log Gamma)

54B (Typical, 1920x1080

Dynamic Range
During Normal Shooting: 300%

*With Canon Log Gamma: 800%

*ISO 850 or above - gain 2.5dB or above

EVF

Type
0.52-inch Color (1,555,000 dots)

Viewing Angle Adjustment
Available; Viewing Angle can be adjusted up and down 60°

Diopter Adjustment Range
+2.0 to -5.5

EVF Adjustments
Brightness, Contrast, Color, and Backlight (Normal or Bright)

LCD Monitor

Type
Rotating 4 inch Wide Screen Color LCD Display (1,230,000 dots) on detachable controller

Display Adjustments
Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)

Input/Output

HD/SD SDI
Yes (with embedded audio);
HD 4:2:2(YCbCr) 1920x1080: 60i/50i, 1280x720: 60p/50p; SD 4:2:2 (YCbCr) 640x480: 60i/50i
BNC Connector, output only

SD-SDI:
NTSC 480i/PAL 576i: Compliant with SMPTE 259M
Embedded Audio: Compliant with SMPTE 272M
Time Code Standard: (VITC/LTC) SMPTE 12M

HD-SDI: (Compliant with SMPTE 292M)
1080i/720p: Compliant with SMPTE 292M
Embedded Audio: Compliant with SMPTE 299M
Time Code Standard: (VITC/LTC) SMPTE 12M

Time code In/Out
Yes; BNC Connector (Input and Output)

Genlock
Yes; BNC Connector (Input Only)

Adjustment range: -1023 to +1023

Synch Out
Yes, BNC Connector
(1) HD tri-level signal (HD Sync) The HD standard analog component Y signal with the black muted is output.
(2) HD-Y signals (HD-Y) Only the HD standard analog component Y signal is output.
(3) Black burst signal The SD standard analog composite signal with the black muted is output.
(4) Composite; The SD standard analog composite signals are output.

HDMI
Yes (Type A)

Audio Input Terminal
2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level)

Headphone Jack
Available; 3.5mm stereo mini-jack

Remote Terminals
Available (Fully LANC Compatible)

USB Connector
N/A

CCU
N/A

Power

Power Terminal
DC in on camera (no need for "Dummy Battery")

Battery
BP-9 Series

Compact Power Adapter
CA-940

Accessories

Tripod Adapter
Canon TA-100

Tripod Adapter Base
Canon TB-1

Zoom Remote Controller
Canon ZR 2000

Wi-Fi Adapter
WFT-E6A

Other

Dimensions
C300 (Body plus Thumb Rest):
Approx. 5.2 x 7.0 x 6.7 in (133 x 179 x 171 mm)
C300 (Body plus Grip):
Approx. 6.9 x 7.0 x 6.7 in (174 x 179 x 171 mm)

The following is the same for both models:
C300 + Monitor Unit: Approx. 7.3 x 9.8 x 7.4 in (185 x 249 x187 mm)
C300 + Handle Unit + Monitor Unit: Approx. 7.3 x 11.2 x 11.9 in ( 185 x 284 x 301 mm)

Main Unit Weight
C300 Body: Approx. 3.2 lb. (1430 g)
C300 PL Body: Approx. 3.6 lb. (1630 g)
Grip: Approx. 8.1 oz. (230 g)
Handle Unit: Approx. 6.3 oz. (180 g)

Total Equipped Weight
C300: Approx. 5.6 lb. (2520 g)*
C300: Approx. 6.0 lb. (2700 g)**
* Weights for both models include the grip, monitor unit, BP-955, 2x CF cards.
** Weights for both models include the grip, monitor unit, Handel Unit, BP-955, 2x CF cards.

Temperature and Humidity
Performance requirements: 0°C to 40°C, 85% (relative humidity)
Operating requirements: -5°C to 45°C, 60% (relative humidity)

Language Support
English, Japanese, Chinese, German, Spanish, French, Italian, Polish, Russian

Time and Date
Automatic Calendar range January 1st, 2010 through December 31, 2031 selectable in American, Japanese and European Date formats.

World Clock
World Clock support - UTC time setting: Setting range from +14:00 to - 12:00

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